Ray Farr was brought up in a musical family in Hereford, England. He started playing the cornet at the age of 5, and later joined the Hereford Salvation Army Band where his father (Kenneth) was bandmaster. Important, early influences were the County Youth Orchestra, the National Music Schools of the Salvation Army and the National Youth Brass Band. When he left school he also played with Birmingham Citadel Band and Tottenham Citadel S.A. bands.
Between 1965 and 1969 he studied at the Birmingham School of Music (with John Lamb) and at the Royal Academy of Music (with William Overton), where he played 1st trumpet in the academy’s orchestra. During this period he was frequently featured as a soloist with different bands and orchestras.
In 1969 Ray was appointed co-principal trumpet with the, now defunct, BBC Midland Light Orchestra in Birmingham and was often used as extra player in the City of Birmingham Symphony Orchestra. He was also appointed as Trumpet Professor at his former Conservatory the Birmingham School of Music. He left Birmingham in 1973 to join the BBC Radio Orchestra in London as co-principal trumpet.
In the years that followed Ray also worked with other top London orchestras for concerts, film sessions, TV and records. This was also the time he started conducting various amateur bands.
In 1979 he accepted a full time position as Resident Conductor with Grimethorpe Colliery Band, the band featured in the movie “Brassed Off”. During the five years he was with Grimethorpe the band won many contests and he gave hundreds of concerts in Britain, Australia, France, Austria, Germany, Norway, Sweden, Denmark, Switzerland, Holland, Finland and Belgium. During this time there were many special occasions, notably Leeds Music Festival, Harrogate Contemporary Music Festival, Aldeburgh Festival, Cheltenham Festival, Litchfield Festival and the concert tour of Australia, which climaxed in a performance of “Pictures from an Exhibition” in the Sydney Opera House.
While he was with Grimethorpe he was encouraged, by Elgar Howarth, to write music. One of his first arrangements was “Star Wars”, by John Williams, which soon led to a string of successful and popular arrangements. Early on Frank Renton called him: “Ray of the magic pen”, and now, after hundreds of successes, bands regularly play his pieces which range in style from Stravinsky’s “Firebird” to Zappa’s “Dog Breath Variations”. Ray has received many accolades and positive reviews for his arranging skills including Joseph Horovitz (“My first choice band arranger”) and Malcolm Arnold (“He’s a genius!”).
In 1984 (the time of the pit closures) he left Grimethorpe to freelance, having developed a reputation as a stylish conductor and a planner of interesting concert programmes ranging from light music to “avant-garde”. The Brass Band World writes: “Ray’s conducting was a joy to behold” and the East Anglian Times says: “superbly controlled with impeccable timing”. While the British Bandsman writes: “Ray Farr has mastered the programme art”. The critic of Bergen’s Tidende says: “He is an elegant conductor radiating intensity with control who has mastered the art of drawing enormous lines with great dynamic range”
During this time he appeared as a guest conductor all over Europe most notably with the National Youth Bands of England, Norway and Switzerland and several European Gala concerts.
Ray has been much in demand as a band adjudicator appearing in national competitions in England, Wales, Scotland, Ireland, Holland, Belgium, Sweden, Norway, Australia and New Zealand.
As a teacher Ray has given lectures on conducting, arranging and adjudicating at Leeds College of Music, Huddersfield College, Salford College, Newcastle College, Cardiff College and the Music Conservatories of Stavanger, Bergen, Trondheim, Malmø, Gothenburg and Stockholm.
In 1988 Ray won a special Arts Council Award to study contemporary music with Edward Gregson and Jorma Panula, Professor of Orchestral Conducting at Helsinki’s Sibelius Academy.
In 1990 Ray moved to Stavanger, Norway to accept a conducting position with the Music School Youth Orchestra where he was able to combine regular conducting positions with guest conducting invitations. Some of which were particularly exciting. The most notable were the National Youth Bands of Norway and Eikanger Bjørsvik Musikklag who flew him to Bergen twice a week for rehearsals and concerts. There were still frequent invitations abroad and Ray visited again many European cities. Something new, though, were two invitations to conduct in America and a concert tour of Australia.
It was during this time that he became involved with wind bands and was appointed Chief Conductor with the Trondheim Military Band and conductor of the National Youth Wind band of Norway. Other professional and amateur wind band conducting invitations soon followed.
The Sandnes Symphony Orchestra (a semi professional orchestra) appointed Ray as Chief Conductor. This gave Ray many opportunities to develop in the fields of opera, ballet and oratorio, which he loved. It also opened the doors to some exciting possibilities in the bigger orchestral world. He has since conducted Norway’s Radio Orchestra on five occasions including a European broadcast, the Stavanger Symphony Orchestra, on a World Wide TV programme, and the Kristiansand Symphony Orchestra in an exciting concert of French music.
In 1995 his affection for Eikanger Bjørsvik Musikklag caused him to move, once again, this time to Bergen where he was appointed Musical Director. With them he gave many innovative performances of a wide variety of music on stage, TV, radio, and CD. There are now two CDs with all Ray Farr arrangements called “Best by Farr”.
In 2003 Ray joined the teaching staff at the University of Durham, England as ‘Conductor In Residence’, where for ten years he taught conducting and arranging as well making some important research.
Now, retired from full time teaching, Ray is living near Oslo, Norway and is able to focus on his conducting career with lots of exciting future invitations.